Book Chapters

Morrissette, Suzanne, 2023. “Ste. Anne: A Prescribed Burn” in Exovede in the Darkroom, eds Stephen Broomer and Irene Bindi. (ARP Books: Winnipeg).

Screen Shot 2021-04-08 at 2.17.55 PM.png

Screen Shot 2021-04-08 at 3.03.50 PM.png

Screen+Shot+2018-12-13+at+8.26.27+PM.png

Screen Shot 2021-04-08 at 3.17.11 PM.png

Screen Shot 2021-04-08 at 3.18.44 PM.png

Screen Shot 2021-04-08 at 3.19.55 PM.png

Screen Shot 2021-04-08 at 3.20.55 PM.png

Curatorial Texts

Morrissette, Suzanne. 2019. “Practices of Learning.” in Capilano Review. Spring 2019

Morrissette, Suzanne. 2010. Luke Parnell. past now. MacLaren Art Centre: Barrie.

Morrissette, Suzanne and Lisa Myers. Curatorial Statement. past now. MacLaren Art Centre: Barrie.

Morrissette, Suzanne. 2018. “On Being Illiberal.” in Prefix magazine 38. (received the Ontario Association of Art Galleries Award for Curatorial Writing between 2000-5000 words)

Morrissette, Suzanne. 2013. “Gathering: to come together, to collect.” in Surface & Symbol: works by Jean Marshall, 6-13. Ed. Janna Hiemstra. Ontario Crafts Council: Toronto.

Morrissette, Suzanne. 2013. “To Take Notice.” in Something About Encounter. Ed. Cheryl L’Hirondelle. Thunder Bay Art Gallery: Thunder Bay.

Morrissette, Suzanne, and Julie Nagam. 2012. “Concealed Geographies.” ASpace Gallery: Toronto.

Morrissette, Suzanne. 2012. “Setting and Source.” Setting: land, 6-13. Ed. Richard William Hill. Thunder Bay Art Gallery: Thunder Bay.

Screen Shot 2021-04-08 at 3.23.12 PM.png

Artist Texts

Morrissette, Suzanne. 2014. In Residence on Rabbit Island: Reflections on the Politics of Remote Wilderness. Rabbit Island 2014 Residency Exhibition, 47-51. Devos Museum: Marquette.

Screen Shot 2021-05-19 at 12.29.04 PM.png

Reviews

Morrissette, Suzanne. 2016. Routing Towards Reconciliation, a review of The Land We Are: Artists & Writers Unsettle the Politics of Reconciliation. TOPIA: Canadian Journal of Cultural Studies, 191-95. No. 36.

Doucet, Emily, and Suzanne Morrissette. 2010. What Are We Doing Here?: rhyme and reason at 16 Days of Non Organised Art. Paperwait, 51-54. Vol. 15

Morrissette, Suzanne. 2010. Ours, and the Hands that Hold Us. Fuse Magazine, 41-42. Vol. 3. No. 4.

Creative Non-Fiction

Morrissette, Suzanne. 2012. incomplete thoughts on knowing through place. Manitowapow, 398-399. Eds. Niigaanwewidam Sinclair and Warren Cariou. Winnipeg: Highwater Press.

Screen Shot 2021-04-08 at 3.59.44 PM.png

Screen Shot 2021-04-08 at 3.59.52 PM.png

Screen Shot 2021-05-19 at 12.37.13 PM.png

Screen Shot 2021-05-19 at 12.38.22 PM.png

Texts About My Artwork

England, Sara. “Lines, Waves, Contours: Remapping and Recording Space in Indigenous Sound Art”

Myers, Lisa. 2016. “wnoondwaamin [we hear them],” catalogue esasy, Trinity Square Video.

Kisin, Eugenia. 2013. Unsettling the contemporary: critical indigeneity and resources in art. Settler Colonial Studies. 3, 2:141-156.

Myers, Lisa. 2012. Serving it Up: Recipes, Art, and Indigenous Perspectives. Senses & Society. 7, 2: 173-195.

Myers, Lisa. 2011. Best Before: Recipes and Food in Contemporary Aboriginal Art. Masters thesis, OCAD University.